
Just finished this recording with my good friend Matt -- it's a cover of "Wanna Be Starting Something," and it was recorded in a staircase.
Cheers, Mike.
This week, the Supreme Court declined to review a case about whether it was legal to play Enya under a video montage of a murder victim’s life. Such "victim impact statements" serve as testimony submitted during the sentencing phase of a criminal trial. Public defender Evan Young discusses what she says is the regrettable art of swaying a jury.
[Patrick]: Surely, you heard "Poinciana" (start of the scat solo), or "Stormy Weather," or "Rhapsody In Blue," or "I Want To Be Happy," or "A-Tisket, A-Tasket" (her first hit in the '30s), or the interpolation of "Smoke Gets In Your Eyes" as "Sweat Gets In Your Eyes" at the end ...
Boss Lady: Looks like I'd better listen again. Because I was focused on Ella's voice and her pyrotechnics, but all of those references flew by unnoticed. Sigh.
[Patrick]: ...or Ferde Grofe's "On The Trail," or the Ethel Waters number "Tropical Heat Wave," or "El Manicero," or even a Charlie Parker tune called ["Ornithology"] which was based on the chord changes to this song.
Shazam creates a spectrogram for each song in its database—a graph that plots three dimensions of music: frequency vs. amplitude vs. time. The algorithm then picks out just those points that represent the peaks of the graph—notes that contain 'higher energy content' than all the other notes around it...In practice, this seems to work out to about three data points per second per song.